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Image 1 of 1
Image 1 of 1
Image 1 of 1
Wall Sculpture
2026 — basalt stone, clay, resin, paint
35 × 12 × 8 cm — EUR 1.520,00 (net)
For further artwork information or purchase, please email us at contact@massoumi.art or reach out via our contact form.
The first impression is restrained: figures appear reduced, slightly displaced, held at a distance. Thorben Wengler approaches the figurative with quiet confidence, working less toward expression than toward its suspension. Faces, gestures and bodies are present, yet resist clarity.
Wengler’s work is driven by a persistent questioning of proportion, dimension and form. His figures follow an inner logic rather than anatomical correctness, allowing subtle shifts and distortions to shape perception. This deliberate imbalance creates a tension that invites prolonged looking rather than immediate understanding.
Across painting, drawing and sculpture, Wengler develops a consistent visual language rooted in reduction and restraint. His recent sculptural works translate this language into physical presence, maintaining ambiguity while extending it into space.
Wall Sculpture
2026 — basalt stone, clay, resin, paint
35 × 12 × 8 cm — EUR 1.520,00 (net)
For further artwork information or purchase, please email us at contact@massoumi.art or reach out via our contact form.
The first impression is restrained: figures appear reduced, slightly displaced, held at a distance. Thorben Wengler approaches the figurative with quiet confidence, working less toward expression than toward its suspension. Faces, gestures and bodies are present, yet resist clarity.
Wengler’s work is driven by a persistent questioning of proportion, dimension and form. His figures follow an inner logic rather than anatomical correctness, allowing subtle shifts and distortions to shape perception. This deliberate imbalance creates a tension that invites prolonged looking rather than immediate understanding.
Across painting, drawing and sculpture, Wengler develops a consistent visual language rooted in reduction and restraint. His recent sculptural works translate this language into physical presence, maintaining ambiguity while extending it into space.
