2025 — Acrylfarbe, UV-Print auf Alu-Dibond (Gerahmt)
70 × 60 cm — EUR 6.000,00 (net.)
For further artwork information or purchase, please email us at contact@massoumi.art or reach out via our contact form.
Lukas Glinkowski works in a manner analogous to musical sampling, assembling visual mash-ups from fragments and displacements. These pieces form new constellations whose meaning viewers must configure for themselves. Art-historical citations and contemporary references serve as aesthetic or conceptual hints rather than didactic gestures. His painting does not seek a coherent narrative but invites individual interpretation, where the perspectives of artist and viewer may diverge.
This postmodern approach opens space for play with visual and mental habits, allowing chance, chaos, and plurality to coexist—and even bringing together what might be incompatible. L. G. leads us into an image world shaped by everyday observations, experiences, and at times dreams or distortions: urban spaces, films, tracklists, comics, video games, pop and club culture.
In recent years, he has increasingly moved away from the canvas; tiles, photo or textured wallpaper, mirror tiles and foils, wood, or glass have become carriers of his painting. Drawn to subculture, he often reconstructs places that are as morbid as they are trashy, built from ordinary industrial materials. Their physical presence allows his painting to extend into space rather than remain confined to the wall—sometimes even inviting exhibition visitors to join in the process. Perhaps this is his way of showing us that his world is one we can rediscover through his eyes. He doesn’t intend to explain it—but, as so often in life, well-posed questions can be more illuminating than precise answers.
In 2025, his work will be presented by MASSOUMI Gallery in collaboration with Drewes Galerie as part of the Boutique Art Fair 2025.
2025 — Acrylfarbe, UV-Print auf Alu-Dibond (Gerahmt)
70 × 60 cm — EUR 6.000,00 (net.)
For further artwork information or purchase, please email us at contact@massoumi.art or reach out via our contact form.
Lukas Glinkowski works in a manner analogous to musical sampling, assembling visual mash-ups from fragments and displacements. These pieces form new constellations whose meaning viewers must configure for themselves. Art-historical citations and contemporary references serve as aesthetic or conceptual hints rather than didactic gestures. His painting does not seek a coherent narrative but invites individual interpretation, where the perspectives of artist and viewer may diverge.
This postmodern approach opens space for play with visual and mental habits, allowing chance, chaos, and plurality to coexist—and even bringing together what might be incompatible. L. G. leads us into an image world shaped by everyday observations, experiences, and at times dreams or distortions: urban spaces, films, tracklists, comics, video games, pop and club culture.
In recent years, he has increasingly moved away from the canvas; tiles, photo or textured wallpaper, mirror tiles and foils, wood, or glass have become carriers of his painting. Drawn to subculture, he often reconstructs places that are as morbid as they are trashy, built from ordinary industrial materials. Their physical presence allows his painting to extend into space rather than remain confined to the wall—sometimes even inviting exhibition visitors to join in the process. Perhaps this is his way of showing us that his world is one we can rediscover through his eyes. He doesn’t intend to explain it—but, as so often in life, well-posed questions can be more illuminating than precise answers.
In 2025, his work will be presented by MASSOUMI Gallery in collaboration with Drewes Galerie as part of the Boutique Art Fair 2025.
